TagAdèle Haenel

L’Apollonide (Οίκος Ανοχής, 2011)

Ο προκλητικός ζωντανός πίνακας του Bertrand Bonello εξερευνεί την γυναικεία σεξουαλικότητα σε ένα μπορντέλο στα τέλη του 19ου αιώνα.

Crime, Drama

L’Apollonide (House of Tolerance, 2011)

Bertrand Bonello's provocative tableau vivant that explores the female sexuality set in a brothel at the turn of the 20th century.

REVIEWS

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Italian Gangsters – Venice 72 Orizzonti

Renato De Maria creates an unconventional and extremely minimalistic dramatized documentary that explores the most violent thirty-year criminal period of post-war Italy.

TagAdèle Haenel

L’Apollonide (Οίκος Ανοχής, 2011)

L’Apollonide (House of Tolerance, 2011)

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Tharlo – Venice 72 Orizzonti

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Italian Gangsters – Venice 72 Orizzonti

Alain Robbe-Grillet: What is Formalism?

A cinephile’s wish

Jodorowsky on filmmaking

Trans-Europ-Express Eroticism

John Cassavetes: I am here and I don’t know why