Tag1980

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

Experimental, Politics

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Ο Jean-Luc Godard εξερευνά τα όρια του ατομισμού, της απάθειας και της παραδοπιστίας καθώς τα παιδία του Μαρξ και της Coca-Cola μεγάλωσαν.

REVIEWS

Antiviral (2012)

Brandon Cronenberg enjoys the affection of current pop culture towards vampirism and builds a medical horror that could easily pass by as his father's work.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

The President – Venice 71 Orizzonti

An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Albert Serra’s cinema once again reaches the boundaries of experimentalism as he explores the historic figure (and death) of Louis XIV. Wilf Family Foundation Award at the 33rd Jerusalem International Film Festival.

Tag1980

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Sauve Qui Peut (La Vie) (Ο Σώζον Εαυτόν Σωθήτω, 1980)

Antiviral (2012)

Wednesday, May 9 – Venice 72 Orizzonti

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

The President – Venice 71 Orizzonti

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Ingmar Bergman’s Dreams

Jodorowsky’s Endless Dream

Pasolini on Hope

Francesco Rosi: The cinema of emotions

Ingmar Bergman on existence