Tag1925

Stachka (Strike, 1925)

The debut feature film by Sergei Eisenstein and the first archetypical example of pure communist propaganda.

Politics

Stachka (Απεργία, 1925)

Η πρώτη μεγάλου μήκους ταινία του Sergei Eisenstein είναι και το αρχετυπικό παράδειγμα ξεκάθαρης κομμουνιστικής προπαγάνδας.

REVIEWS

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

Jean-Luc Godard explores the limits of individualism, apathy and venality as the children of Marx and Coca-Cola grew up.

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

Viharsarok (Land of Storms) – Sarajevo 20

A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Tag1925

Stachka (Strike, 1925)

Stachka (Απεργία, 1925)

Interruption – Venice 72 Orizzonti

Sauve Qui Peut (La Vie) (Every Man for Himself, 1980)

El Sicario, Room 164 (2010)

Viharsarok (Land of Storms) – Sarajevo 20

Tharlo – Venice 72 Orizzonti

Pasolini on Hope

Jodorowsky on filmmaking

Monicelli: The elements of Italian comedy

Béla Tarr on Filmmaking

Godard on Italian Cinema