TV vs. Cinema by Jean-Luc Godard

La télévision fabrique de l’oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

France Jean-Luc Godard

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

Turist (Force Majeure, 2014)

Ruben Östlund dismantles the nuclear perfect iconic family as the predominant father figure fails to support his socially imposed gender role.

Fuoco! (Fire!, 1968)

Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.

Viaje – Sarajevo 21 Kinoscope

Paz Fábrega creates a low-key romantic bittersweet journey where a boy meets a girl as the time runs against them.

Deniz Gamze Ergüven creates a "joyful" feministic fairytale that explores if teen rebelliousness and sexual awareness can survive in conservative Anatolia. Heart of Sarajevo for Best Feature Film at the 21st Sarajevo Film Festival.

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The Author Vassilis Economou

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Marécages (Wetlands, 2011)

Turist (Force Majeure, 2014)

Fuoco! (Fire!, 1968)

Viaje – Sarajevo 21 Kinoscope

Mustang – Sarajevo 21

There has always been violence in art

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

those lacking imagination

Jafar Panahi: I don’t like political movies.

Monicelli: The elements of Italian comedy

TV vs. Cinema by Jean-Luc Godard

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The Author Vassilis Economou

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