TV vs. Cinema by Jean-Luc Godard

La télévision fabrique de l’oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

France Jean-Luc Godard

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

Volchok (Wolfy, 2009)

Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.

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The Author Vassilis Economou

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Pioneer Heroes (Pionery-geroi) – Berlinale 65 Panorama

Marécages (Wetlands, 2011)

Volchok (Wolfy, 2009)

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Zvizdan (The High Sun) – Thessaloniki 56 Balkan Survey

Żuławski on pleasing the majority

Federico Fellini & James Bond

Antonioni on directing

La Haine vs. Scarface

Grandrieux on his films

TV vs. Cinema by Jean-Luc Godard

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The Author Vassilis Economou

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