TV vs. Cinema by Jean-Luc Godard

La télévision fabrique de l’oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

France Jean-Luc Godard

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Viharsarok (Land of Storms) – Sarajevo 20

A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.

Il Passaggio della Linea (2007)

The debut documentary film of the Italian director Pietro Marcello is a nocturnal train journey collage through the Italian landscape.

Turist (Force Majeure, 2014)

Ruben Östlund dismantles the nuclear perfect iconic family as the predominant father figure fails to support his socially imposed gender role.

Volchok (Wolfy, 2009)

Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

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The Author Vassilis Economou

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Viharsarok (Land of Storms) – Sarajevo 20

Il Passaggio della Linea (2007)

Turist (Force Majeure, 2014)

Volchok (Wolfy, 2009)

Tharlo – Venice 72 Orizzonti

Gian Maria Volonté: Ogni film è politico

Pasolini e gli italiani

Dziga Vertov’s Eye

Je vais au cinéma…

Roberto Rossellini: Camera’s a ballpoint pen

TV vs. Cinema by Jean-Luc Godard

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The Author Vassilis Economou

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