TV vs. Cinema by Jean-Luc Godard

La télévision fabrique de l’oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

France Jean-Luc Godard

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

Marionette (2007)

Minos Nikolakakis creates a dark minimalistic tale that comes closer to reality or a dark reality that touches the edges of chilling fantasy.

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

Interruption – Venice 72 Orizzonti

With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

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The Author Vassilis Economou

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Force of Evil (1948)

Marionette (2007)

Ruin – Venice 70 Orizzonti

Interruption – Venice 72 Orizzonti

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Grandrieux on his films

Jacques Rivette: Should filmmakers see movies?

those lacking imagination

Federico Fellini & James Bond

There has always been violence in art

TV vs. Cinema by Jean-Luc Godard

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The Author Vassilis Economou

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