John Cassavetes on Art

Art, meaning that we will enjoy ourselves and express ourselves freely.

John Cassavetes

John Cassavetes USA

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Saul Fia (Son of Saul) – Sarajevo 21

László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Konstantin Lopushansky re-creates the post-apocalyptic terror of a nuclear disaster on Chernobyl's aftermath as a Stalker's flip-side.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

Le Magnifique (The Magnificent, 1973)

The instant cult French espionage parody by Philippe de Broca with Jean-Paul Belmondo and Jacqueline Bisset.

La Maldad (Evilness) – Berlinale 65 Forum

Mexico's most troubled political period is blended with traces of poetry and Carlos Reygadas' essence, when betrayal surpasses love in Joshua Gil's debut feature film.

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The Author Vassilis Economou

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Saul Fia (Son of Saul) – Sarajevo 21

Pisma Myortvogo Cheloveka (Letters from a Dead Man, 1986)

Tharlo – Venice 72 Orizzonti

Le Magnifique (The Magnificent, 1973)

La Maldad (Evilness) – Berlinale 65 Forum

There has always been violence in art

Je vais au cinéma…

Żuławski on pleasing the majority

How to make a bed

Gian Maria Volonté: Ogni film è politico

John Cassavetes on Art

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The Author Vassilis Economou

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