Sogni d'Oro (1981) - 24 fois la vérité par seconde

The absolute realistic cinephile question as asked in Nanni Moretti’s Sogni d’Oro (1981)

Italy Nanni Moretti

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

Medeas – Venice 70 Orizzonti

A new approach of the myth of Medea set in the rural countryside of the Southern California, by Andrea Pallaoro.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Sogni d’Oro (1981)

Related

The Author Vassilis Economou

Free Comments! Cancel reply

Monanieba (Repentance, 1984)

Medeas – Venice 70 Orizzonti

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Force of Evil (1948)

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Cœur Fidèle vs. Boy Meets Girl

Monicelli: The elements of Italian comedy

La Haine vs. Scarface

Ingmar Bergman’s Dreams

I don’t like the word success

Sogni d’Oro (1981)

Related

The Author Vassilis Economou

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Free Comments! Cancel reply