Sogni d'Oro (1981) - 24 fois la vérité par seconde

The absolute realistic cinephile question as asked in Nanni Moretti’s Sogni d’Oro (1981)

Italy Nanni Moretti

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Klip (Clip, 2012)

Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Salomé Alexi is dealing with the sensitive issue of financial crisis in the post-Soviet Georgian society seen from a female point of view.

Poziția Copilului (Child’s Pose, 2013)

Calin Peter Netzer directs a powerful family drama of characters under Romania's post-communist corrupted society. Golden Bear at the 63rd Berlin Film Festival.

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Albert Serra’s cinema once again reaches the boundaries of experimentalism as he explores the historic figure (and death) of Louis XIV. Wilf Family Foundation Award at the 33rd Jerusalem International Film Festival.

Sogni d’Oro (1981)

Related

The Author Vassilis Economou

Free Comments! Cancel reply

Klip (Clip, 2012)

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Kreditis Limiti (Line of Credit) – Venice 71 Orizzonti

Poziția Copilului (Child’s Pose, 2013)

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

David Cronenberg on Manipulation

Ingmar Bergman in Iceland

Truffaut: Films are like trains

Antonioni on directing

Pasolini on Hope

Sogni d’Oro (1981)

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The Author Vassilis Economou

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