Sogni d'Oro (1981) - 24 fois la vérité par seconde

The absolute realistic cinephile question as asked in Nanni Moretti’s Sogni d’Oro (1981)

Italy Nanni Moretti

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Marécages (Wetlands, 2011)

Α highly realistic kitchen sink drama of a family's dissolution set in the rural isolated environment of Quebec's Wetlands. Debut feature film by Guy Édoin.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

Viaje – Sarajevo 21 Kinoscope

Paz Fábrega creates a low-key romantic bittersweet journey where a boy meets a girl as the time runs against them.

Sogni d’Oro (1981)

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The Author Vassilis Economou

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Marécages (Wetlands, 2011)

A Blast – Sarajevo 20

Force of Evil (1948)

Skammen (Shame, 1968)

Viaje – Sarajevo 21 Kinoscope

Satyajit Ray on Cinema

Roberto Rossellini: Camera’s a ballpoint pen

Trans-Europ-Express Eroticism

The Meaning of Cinema by Andrei Tarkovsky

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Sogni d’Oro (1981)

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The Author Vassilis Economou

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