Je vais au cinéma... - 24 fois la vérité par seconde

Je vais au cinéma… / I go to the cinema…

Jean-Luc Godard, 3x3D

The Author Vassilis Economou

Freelance film critic and hardcore cinephile.

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REVIEWS

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

Tharlo – Venice 72 Orizzonti

Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Hrútar (Rams) – Thessaloniki 56

Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.

Je vais au cinéma…

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The Author Vassilis Economou

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Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Force of Evil (1948)

Tharlo – Venice 72 Orizzonti

A Blast – Sarajevo 20

Hrútar (Rams) – Thessaloniki 56

Satyajit Ray on Cinema

Francesco Rosi: The cinema of emotions

Truffaut: Films are like trains

Dziga Vertov’s Eye

Pier Paolo Pasolini – Sesso, consolazione della miseria!

Je vais au cinéma…

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The Author Vassilis Economou

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