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REVIEWS

Až do Mesta Aš (Made in Ash) – Torino 30

Iveta Grófová depicts the bleak life in Bohemia that has gradually become Germany's poor man's Thailand.

Italian Gangsters – Venice 72 Orizzonti

Renato De Maria creates an unconventional and extremely minimalistic dramatized documentary that explores the most violent thirty-year criminal period of post-war Italy.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

El Sicario, Room 164 (2010)

Τhe controversial documentary by Gianfranco Rosi. A retired sicario is narrating his experiences working for the Mexican drug cartels.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

QUOTES

Sogni d’Oro (1981)

Directed by Nanni Moretti

Béla Tarr on Filmmaking

I don't want to be a stupid filmmaker who is just repeating himself

Roberto Rossellini: Camera’s a ballpoint pen

The camera’s a ballpoint pen, an imbecile; it’s not worth anything if you don’t have anything to say.

Satyajit Ray on Cinema

It’s enough if you can make people think and feel - clearly and honestly.

Grandrieux on his films

I don’t think in terms of stories. To me, these films are objects. They're plastic. They're formed.