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REVIEWS

I.D. – Torino 30

The debut film by the Indian director Kamal K.M. where the drama of a lost identity meets a bleak thriller in both worlds of modern Mumbai.

Valerie a Týden Divů (Valerie and Her Week of Wonders, 1970)

A disturbing surreal erotic horror coming-of-age fairytale of political allegory by Jaromil Jireš marks the end of Czechoslovak New Wave.

L’Apollonide (House of Tolerance, 2011)

Bertrand Bonello's provocative tableau vivant that explores the female sexuality set in a brothel at the turn of the 20th century.

Wednesday, May 9 – Venice 72 Orizzonti

In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.

La Mort de Louis XIV (The Death of Louis XIV) – Jerusalem 33

Albert Serra’s cinema once again reaches the boundaries of experimentalism as he explores the historic figure (and death) of Louis XIV. Wilf Family Foundation Award at the 33rd Jerusalem International Film Festival.

QUOTES

Roberto Rossellini: Camera’s a ballpoint pen

The camera’s a ballpoint pen, an imbecile; it’s not worth anything if you don’t have anything to say.

A cinephile’s wish

André Téchiné responds as a true cinephile to the question by Colette Descombes in Brigitte et Brigitte (1966)

Satyajit Ray on Cinema

It’s enough if you can make people think and feel - clearly and honestly.

Introduction to Faces by John Cassavetes

Society must chuck its petty prejudices and false idols and if necessary start again from a new beginning where men as well as women can be kind to themselves.

John Cassavetes on Art

Art, meaning that we will enjoy ourselves and express ourselves freely.