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REVIEWS

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

Boi Neon (Neon Bull) – Venice 72 Orizzonti

Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Ana Yurdu (Motherland) – Thessaloniki 56 Balkan Survey

Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.

Monanieba (Repentance, 1984)

Tengiz Abuladze by presenting a grotesque realism with a touch of subcutaneous self-sarcasm managed to bury all the fears that had survived for so many years in the USSR.

QUOTES

La Haine vs. Scarface

The World is Yours

Pasolini: L’anarchia del potere

Nulla è più anarchico del potere, il potere fa praticamente ciò che vuole

Roberto Rossellini: Camera’s a ballpoint pen

The camera’s a ballpoint pen, an imbecile; it’s not worth anything if you don’t have anything to say.

Les Amants Réguliers

You see. We communicate without words. You'd never have believed it.

those lacking imagination

take refuge in reality