Fuoco! (Fire!, 1968)
Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.
Gian Vittorio Baldi directs a piece of art that through its consistency can work on political and dramaturgical level without losing its impactful realism.
A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.
The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.
An allegorical political satire by Mohsen Makhmalbaf, that despite the initial absurdity becomes predictable and didactic in a simplistic way.
Friend Request is trying to deal in the most detached way with the unsolved and crucial problems that the Middle East faces.
Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.
A deeply emotional and visually impressive drama by Ádám Császi, that exposes the issue of homophobia in modern day Hungary.
Isa Quosja directs a slow burning drama that is dealing with one of the most delicate and tabu issues in modern post-war Kosovo.
A heroic act during the Yugoslav war haunts the lives of the heroes. Concentric circles of fate can bring atonement. Directed by Srdan Golubović.
Maja Miloš in her debut film is trying to visualize, through a perverse adolescent love, a without makeup reality that was created in a plastic and fake world.
A film of marginal pairs’ balance that move among realism and fantasy, hope and disillusionment, justice and injustice, heterosexuality and homosexuality, AIDS and life.
The debut film by Tengiz Abuladze and Rezo Chkheidze is a rural period neorealistic drama set in 19th century Georgia.