Suntan – Jerusalem 33
Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.
Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.
In his sophomore film, Kleber Mendonça Filho penetrates Brazilian falsely beautified society through Sônia Braga's stunning performance.
Dalibor Matanić makes a different post-traumatic approach of the Yugoslav wars as love has to stand in front of any inter-ethnic conflicts.
Senem Tüzen explores if Motherland could be the place of reconciliation of past and present in an ongoing love-hate relationship between a mother and her daughter.
Grímur Hákonarson creates a wry subtle tragicomedy set in the rural Icelandic landscape that feels exceptionally heart-warming while touches the verges of melancholic sarcasm. Golden Alexander at the 56th Thessaloniki Film Festival.
With his directorial debut, Yorgos Zois breaks the fourth wall as he is experimenting on how myth and art interrupt actual life. Or is it the other way around?
In his debut film, Vahid Jalilvand is looking for humanitarian solidarity in today’s Iranian society through the private realistic stories of two women in need.
Pema Tseden depicts through a visually immaculate and lyrical slow burning film, how rough is to search for your own inner hidden identity.
Gabriel Mascaro observes the social and cultural changes of Brazilian society as genders lose their identities and when a vaquero dreams to be a tailor.
László Nemes masterfully recreates a Holocaust Inferno where you can’t escape and the only way to survive is through death. Special Jury Prize at the 21st Sarajevo Film Festival.
Deniz Gamze Ergüven creates a "joyful" feministic fairytale that explores if teen rebelliousness and sexual awareness can survive in conservative Anatolia. Heart of Sarajevo for Best Feature Film at the 21st Sarajevo Film Festival.
The debut feature film by Natalya Kudryashova is a story of broken heroes with destroyed expectations that try to survive in a hostile and unidealistic present.