CategorySaid by…

Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.

Andrei Tarkovsky

You'll rarely find a happy ending in my work.

Krzysztof Kieślowski

La télévision fabrique de l'oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

Hope is invented by politicians to keep the electorate happy.

Pier Paolo Pasolini

I don't want to be a stupid filmmaker who is just repeating himself

Béla Tarr

David Cronenberg on Manipulation

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REVIEWS

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

Gorod Zero (Zero City, 1988)

Kafkaesque absurdity meets Soviet reality during the years of the extremely bureaucratic Perestroika in this deadpan comedy by Karen Shakhnazarov.

Volchok (Wolfy, 2009)

Vassily Sigarev's debut feature is a raw violent drama of the destructive relationship between a mother and her daughter. A masterpiece of the Russian New Drama.

La Vénus à la Fourrure (Venus in Fur, 2013)

Roman Polanski offers a revamped verbose sadomasochistic experience that manipulates Mathieu Amalric, Emmanuelle Seigner and his audience.

Ruin – Venice 70 Orizzonti

Amiel Courtin-Wilson and Michael Cody direct an almost experimental documentary-like romantic film set in Cambodia. Special Jury Prize of 70th Venice Orizzonti section.

CategorySaid by…

The Meaning of Cinema by Andrei Tarkovsky

Kieślowski on his work

TV vs. Cinema by Jean-Luc Godard

Pasolini on Hope

Béla Tarr on Filmmaking

David Cronenberg on Manipulation

Beli, Beli Svet (White, White World, 2010)

Gorod Zero (Zero City, 1988)

Volchok (Wolfy, 2009)

La Vénus à la Fourrure (Venus in Fur, 2013)

Ruin – Venice 70 Orizzonti

Federico Fellini & James Bond

Herz Frank on documentarists

A cinephile’s wish

Chris Marker on time

Béla Tarr on Filmmaking