CategorySaid by…

Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.

Andrei Tarkovsky

You'll rarely find a happy ending in my work.

Krzysztof Kieślowski

La télévision fabrique de l'oubli. Le cinéma fabrique des souvenirs.

Jean-Luc Godard

Hope is invented by politicians to keep the electorate happy.

Pier Paolo Pasolini

I don't want to be a stupid filmmaker who is just repeating himself

Béla Tarr

David Cronenberg on Manipulation

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REVIEWS

A Blast – Sarajevo 20

Syllas Tzoumerkas' sophomore feature is a powerful sociopolitical drama that juxtaposes the cynicism of the troubled Greek society while the middle-class decays internally.

Force of Evil (1948)

Abrahams Polonsky suggests that entrepreneurship is not so far away from criminality and that something is corrupted in the immaculate postwar American society.

Turist (Force Majeure, 2014)

Ruben Östlund dismantles the nuclear perfect iconic family as the predominant father figure fails to support his socially imposed gender role.

Theeb (ذيب) – Venice 71 Orizzonti

A visually impressive and highly emotional coming-of-age film by Naji Abu Nowar, set in the Jordanian desert just before the Arab Revolt. Orizzonti Award for Best Director at the 71st Venice Film Festival.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

CategorySaid by…

The Meaning of Cinema by Andrei Tarkovsky

Kieślowski on his work

TV vs. Cinema by Jean-Luc Godard

Pasolini on Hope

Béla Tarr on Filmmaking

David Cronenberg on Manipulation

A Blast – Sarajevo 20

Force of Evil (1948)

Turist (Force Majeure, 2014)

Theeb (ذيب) – Venice 71 Orizzonti

Boy Meets Girl (1984)

John Cassavetes: I am here and I don’t know why

Bertolucci – Dreams from the Other Side

Je vais au cinéma…

Jodorowsky’s Endless Dream

Roberto Rossellini: Camera’s a ballpoint pen