CategoryTallinn 2016

Featured, Specials, Tallinn 2016

Sergei Loznitsa (Austerlitz) – Interview

I’m afraid that we now repeat everything that happened in the 1930s but with people who are even less educated.

REVIEWS

Beli, Beli Svet (White, White World, 2010)

A low-voiced drama of characters by Oleg Novković a that follows a theatrical austerity and the dramatic Balkan musicals.

Boy Meets Girl (1984)

The first masterfully structured abstract elegiac work by Leos Carax as he becomes French cinema's most acknowledged enfant terrible.

Des Filles en Noir (Young Girls in Black, 2010)

A different coming-of-age drama directed by Jean-Paul Civeyrac and inspired by Heinrich von Kleist's poems.

Italian Gangsters – Venice 72 Orizzonti

Renato De Maria creates an unconventional and extremely minimalistic dramatized documentary that explores the most violent thirty-year criminal period of post-war Italy.

Konec Agenta W4C (The End of Agent W4C, 1967)

Václav Vorlíček created the first Czechoslovak absurd bond-esque espionage parody that still holds its cult status.

CategoryTallinn 2016

Sergei Loznitsa (Austerlitz) – Interview

Beli, Beli Svet (White, White World, 2010)

Boy Meets Girl (1984)

Des Filles en Noir (Young Girls in Black, 2010)

Italian Gangsters – Venice 72 Orizzonti

Konec Agenta W4C (The End of Agent W4C, 1967)

Jacques Rivette: Should filmmakers see movies?

Solitudine (1966)

Antonioni on directing

TV vs. Cinema by Jean-Luc Godard

Jafar Panahi: I don’t like political movies.