CategoryTallinn 2016

Featured, Specials, Tallinn 2016

Sergei Loznitsa (Austerlitz) – Interview

I’m afraid that we now repeat everything that happened in the 1930s but with people who are even less educated.

REVIEWS

Ida (2013)

Paweł Pawlikowski tries to express everything that troubled 60s Poland but his aesthetic austere formalism surpasses the content.

Artă (Art) – Venice 71 Orizzonti

A sharp reenacted mockumentary by Adrian Sitaru, that watches from a humorous perspective the rightfulness to abuse people for the sake of art.

Suntan – Jerusalem 33

Argyris Papadimitropoulos’ third feature film is a bleak and bittersweet cul-de-sac set under the glaring Aegean sun.

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Nagisha Ôshima is performing a requiem for Japanese New Wave and he is covering everything, from the sociopolitical changes till his own alienation that he feels as an artist.

Su Re (The King) – Torino 30

Giovanni Columbu directs this artful experimental depiction of Jesus of Nazareth's last day on Earth set in Sardinia with amateur local cast.

CategoryTallinn 2016

Sergei Loznitsa (Austerlitz) – Interview

Ida (2013)

Artă (Art) – Venice 71 Orizzonti

Suntan – Jerusalem 33

Tôkyô Sensô Sengo Hiwa (The Man Who Left His Will on Film, 1970)

Su Re (The King) – Torino 30

Leos Carax and his island

John Cassavetes: I am here and I don’t know why

Solitudine (1966)

Biće Skoro Propast Sveta (It Rains in My Village, 1968)

A cinephile’s wish