CategoryTallinn 2016

Featured, Specials, Tallinn 2016

Sergei Loznitsa (Austerlitz) – Interview

I’m afraid that we now repeat everything that happened in the 1930s but with people who are even less educated.

REVIEWS

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

The best finale to Roy Andersson's witty and extremely unpredictable existentialistic Living Trilogy. Golden Lion at the 71st Venice Film Festival.

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

Nikolaus Geyrhalter creates his magnum opus as he observes the financial and personal downfall of the rural post-industrial Austria during an extended 10-year period.

La Vie Nouvelle (A New Life, 2002)

Philippe Grandrieux offers a multilayered dream-like filmic experience through the most radical experimental film of the recent years.

Skammen (Shame, 1968)

Ingmar Bergman, in one of his lesser known masterpieces, de-dramatizes a war by transferring all its tragedy to Liv Ullmann, Max von Sydow and inevitably to his audience too.

Algunas Chicas (Some Girls) – Venice 70 Orizzonti

A rather obscure and off beat thriller by Santiago Palavecino that is set contemporarily in dream and reality.

CategoryTallinn 2016

Sergei Loznitsa (Austerlitz) – Interview

A Pigeon Sat on a Branch Reflecting on Existence – Venice 71

Über die Jahre (Over the Years) – Sarajevo 21 Documentary

La Vie Nouvelle (A New Life, 2002)

Skammen (Shame, 1968)

Algunas Chicas (Some Girls) – Venice 70 Orizzonti

Jodorowsky’s Endless Dream

Roberto Rossellini: Camera’s a ballpoint pen

Francesco Rosi: The cinema of emotions

Trans-Europ-Express Eroticism

Kieślowski and the magic of screen